This is part 1 of 2 with Grammy-winning producer Ross Hogarth and top pro drummer Kenny Aronoff. They chat about their approaches to miking drums, using room microphones, and how they get the best-possible drum sounds in the studio.
It’s been awhile coming, but the first six chapters of Alan Parsons’ Art & Science Of Sound Recording DVD are now available online. It was written by Julian Colbeck and Alan Parsons,
produced by Julian Colbeck for KEYFAX NewMedia Inc. and narrated by Billy Bob Thornton.
I just got mine and I’m enjoying them very much. And the pricing is nice too! You can stream each chapter for 99 cents, or download it in MP4 format for $4.95. You can download all six chapters for $19.95, which makes each of them just over three bucks (that’s what I did).
While this is aimed at beginners, there are a lot of great reminders and even a thing or two us old farts might have forgotten about for awhile.
10 Things You Should Know About Recording Vocals (For Beginners)
By: Jesse Cannon
Everyone is doing their own demos these days. I personally think this is one of the greatest things to happen to record making, the one problem I have is that often I can barely understand (or listen to) the vocals recorded in GarageBand or cheaply done demos. After the jump I will give you ten quick pointers that you may have missed that can greatly help you greatly, making it easier for all of us to listen to your demo.
1. Less Bass, Not More Treble – A general rule for any voice, of any type is before you add any treble make sure that you’ve cut all the bass you don’t need in the mix. When the vocal starts to sound too thin, you’ve gone too far. Only after you’ve gotten rid of all of the bass that you don’t need should you even consider turning up the treble on your vocal.
2. If You Recorded With A Cheap Condenser Microphone, You Probably Don’t Need To Add Treble – We’ve all heard demos with ear biting treble on the vocal. The fact is, most cheap condenser mics are designed with a HUGE treble boost. Just like I advised above, get rid of all of the bass first and be extremely cautious adding any treble if you used a condenser microphone priced under $500, since most of them have a great amount of high end hype.
3. Turn The Reverb Decay Down – One of the biggest annoyances in demos that I get is a reverb that is so long it sounds like you recorded it in a cathedral. Most reverb programs have a decay knob, play with it a bit. Always go with shorter than longer when making a mix decision; we’ll all thank you for this later.
4. Turn The Reverb Down As Low As You Can Take It – I know in some Indie Rock circles everyone is falling in love with reverb, but unless you’re cranking up the verb as an aesthetic, err on the side of having it too soft rather than too loud.
5. Unless You’re Going For The T-Pain Sound Use Auto-Tune In Graphical Mode – I have news for you…it takes about an hour or two of reading or watching YouTube videos to learn how to use AutoTune decently. If you don’t want your vocals to sound like every hip-hop song on the radio today, please switch to graphical mode and take an hour or do to learn how to use it well.
6. Pop Filters Aren’t Always Enough – Even when you buy some of the super expensive pop filters out there it doesn’t mean that all your pop problems will be cured. Vocalists can still pop P’s and kill our ears when we listen to your demo. If you turn down the bass on the vocal and have already applied a HPF (high pass filter) to the vocal and you’re still hearing a huge P, please punch it in.
7. Keep Your Mic Pre Gain Low – Unless you’re going for a distorted gritty sound don’t aim to get the waveform and level high. Keep it as low as possible and adjust it later with compression and fader volume. This will keep your vocal clear and prevent your microphone from picking up lots of ambient noise in your room.
8. Reverb Isn’t The Only Effect – Try slapback delays and quiet delays for giving your vocal some ambiance. As well, reverb settings with really short decay times (150-350 ms) can do a great deal for keeping a vocal dry and up front without it sounding dry and cold.
9. If You Can’t Hit The Notes Program A MIDI Track To Sing Along To – Keep in mind demos are often practice to get good at singing in the studio. If you’re having trouble hitting notes, singing along to a keyboard playing the melody can do worlds of good for your pitch and intonation. It only takes a few minutes to play your melody in and have a great pitch reference.
10. When Tweaking The Mix Keep In Mind That You May Need To Tweak The Other Instruments To Make The Vocal Work – I probably spend most of my time mixing getting the other instruments out of the way of the vocal. Keep in mind the sound of the vocal is very much determined by what’s eating it up in the mix. If you’re having trouble with your vocal sound try EQing and changing levels on other instruments.
I just finished this great video course on pop music production by Kenny Gioia. It’s chock full of great tips, techniques and workflow ideas for all types of music production. And while it says it’s for Pro Tools, I didn’t see much that wouldn’t apply to any DAW.
This is your chance to watch over the shoulder of a real studio pro as he records and produces a song from scratch. Here’s a short preview video:
I can highly recommend this. I learned just a couple of new keyboard shortcut applications that were worth the price of the entire video. I also recommend any of Kenny’s other video series as well.
Some time ago it was obvious to me I would buy whatever Kenny puts out, even before I know what it’s about. I know I’m guaranteed quality, useful training no matter what the topic is.
Kenny Gioia is a multi-platinum producer and engineer who has worked with countless name acts. In this exciting new series, he shows you his method for creating a professional, radio-ready Pop music production, out of nothing more than a rough guide vocal take.
See how it’s all done, from programming drum parts, laying down keys, synths and guitars, live bass, real drums, comping the perfect vocal take and more. You’ll discover many cool Pro Tools features and functions, as well as shortcuts and tricks that can be applied to any DAW.
This is truly a lesson from a master music producer, revealing the most common steps to achieving a professional Pop music production, as well as things you’ve never thought of. Take your production skills higher, get “Music Production with Pro Tools Vol 1: Pop” today.
Product Hightlights
27 Tutorials / Over 4.5 Hours Total Runtime
Shot in Pro Tools 8
For all intermediate to advanced Pro Tools 8 users
Tutorials written by multi-platinum selling producer Kenny Gioia
Simple to use video control interface for Mac & PC
A behind-the-scenes look at “Weird Al” Yankovic and his band in the studio during the making of the “Straight Outta Lynwood” album.
If you were hired to play on one of his sessions I’ll bet it would be one of the more challenging assignments of your career; loads of fun, but challenging. (Thanks to @Gilligan204)