Where "Big Al" Brings The Heat On Home Studio Recording!

RealTraps Announces The Most Powerful Bass Trap Ever Made

Wednesday, September 30th, 2009

The Real Traps MegaTrap

The Real Traps MegaTrap

RealTraps has announced their new MegaTrap and claims that it absorbs more, and to lower frequencies, than any other bass trap product ever made at any price.

MegaTraps are meant for corner placement only, and boast a front face nearly three feet wide. When stacked from floor to ceiling, they fill the corner completely for maximum absorption. MegaTraps are built similarly to other RealTraps bass traps, using their proprietary limp mass membrane behind the front fabric for maximum absorption at bass frequencies.

MegaTraps also look terrific. When placed in a room corner, all you see is the solid color fabric front. Since they don’t look like typical acoustic panels, they have very high “spouse” acceptance. They also look terrific in recording studios and control rooms.

MegaTraps are sold in pairs only for shipping efficiency. MegaTraps cost $249.99 each, or $224.99 each when buying eight or more. An optional rigid top made of 1/4″ thick Masonite is available for $25 extra, for domestic placements where a shorter stack (one or two MegaTraps) will serve as a corner table, corner counter surface, or corner speaker stand. MegaTraps are available with the front fabric in white, wheat, gray, and black colors.

MegaTraps will be available for sale by October 15, 2009, though pre-orders are being accepted now. Full details including their absorption data is on the MegaTraps product page.

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RealTraps is owned by Ethan Winer and Doug Ferrara. Ethan is known throughout the audio industry for his many technical articles in audio and computer magazines, and he has engineered and produced several classical music CDs, including a recording of his own cello concerto. Doug is a professional musician and recording engineer who holds an advanced degree in engineering from Rensselaer Polytechnic, and is a member of the New York Academy of Sciences. Previously he was a systems engineer for Motorola.

General product information: http://RealTraps.com
By phone: toll-free 866-RealTraps (866-732-5872, local 860-210-1870)

What’s This? Harrison “Mixbus” – Virtual Mixer And DAW

Wednesday, September 30th, 2009

This could be very interesting…

Mixbus™ is a virtual “analog console” integrated into a full-featured Digital Audio Workstation (DAW).  Mixbus “True Analog Mixing”™ provides critical mixing functions in a knob-per-function interface.  “True Analog Mixing”™ is based on Harrison’s renowned 32-Series and MR-Series console designs, plus Harrison’s proprietary digital mixing technology.  Mixbus™ enables you to record, edit, and mix a musical performance in-the-box while getting a sound that harkens back to the golden age of album recordings.

Traditional DAW mixers were designed by companies with no pedigree in music mixing, and they suffer from well-known flaws. Harrison eliminated these flaws in Mixbus by completely replacing the DAW’s internal mixing engine and applying proprietary True Analog processing. Harrison consoles are known for their great-sounding EQ, filters, dynamics, and bus summing on every track. Now Mixbus offers every engineer a real Harrison music console “in the box”. With Mixbus’s logical knob-per-function interface, the user works with the fluidity of a traditional analog recording studio while retaining the convenience of a DAW. Mixbus enables the user to record, edit, and mix a musical performance “in the box” but get a sound that harkens back to the golden age of album recordings.

Mixbus Features:

  • Straightforward “knob per function” mixer layout based on Harrison’s renowned 32-series and MR-series music consoles.
  • Precision DSP algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing based on Harrison’s world-renowned large format analog and digital mixing consoles.
  • Unlimited stereo or mono input channels (based on available CPU power) featuring High-pass Filter, EQ, Compression, and 4 Mix Bus sends on every channel.
  • 4 Stereo Mix Buses (can be used for groups or auxes) featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation.
  • Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, and Limiting to help you make polished mixes.
  • Plugin delay compensation to support effects such as parallel compression.
  • Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.
  • Extensive DAW features via the Ardour Digital Audio Workstation.
  • Supports AudioUnit plugins and any CoreAudio interface.

INTRODUCTORY PRICE: $79

Product Link

How To Chop Up An Audio Loop And Make It Your Own

Tuesday, September 29th, 2009

Another great tutorial from Russ over at the Air Users Blog!

One problem with loops is that they often don’t fit the track your working on, or everyone else has already used the loop. Russ shows how you can quickly and easily make loops your own!

Getting To Know The Universal Audio LA-610 Mk II

Sunday, September 27th, 2009

The guys from Blorp Corp are back and at it again with the LA-610 MkII.

Getting To Know The Roland RE-201 Space Echo

Saturday, September 26th, 2009

The latest on the Roland RE-201 Space Echo from the men at Blorp Corp.


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