Here’s a great in-depth video interview with Booker T., the composer of, and the organ player on, the classic Green Onions. Among many other topics, the master himself shows you exactly how the tune is played, as well as the settings he used.
I’m running a Hammond B3 gauntlet, and I can’t stop! It must be Hammond B3 Organ Month here at Home Studio Guru.
Today I want to introduce you to one POWERFUL woman that sits behind the keys. Her name is Barbara Dennerlein, and she will RAWK your SAWKS off! I know players that would love to play as well with their left hand as Barbara does with her left foot. She’s the kind of player that makes you think about quitting in a pool of quivering despair.
Here’s a little bio info from Wikipedia:
Early Years
Barbara Dennerlein - B3 Master
At age 11, Dennerlein began playing electronic organ. After starting organ lessons, she learned to play the two manual organ with a bass pedalboard. After one and a half years of lessons she continued to study without formal instruction. At age 15, she played in a jazz club for the first time. When leading her own bands, Dennerlein was often the youngest musician in the group, and she learned to cooperate with more experienced musicians. Her local reputation as the “Organ tornado from Munich” spread after her first TV appearances in 1982.
Recordings
When her third LP “Bebab” was issued, Dennerlein established her own record label in 1985. She received the German jazz critics award. Next, she did three recordings on Enja Records and three on the international jazz label Verve Records. On these recordings she worked with Ray Anderson, Randy Brecker, Dennis Chambers, Roy Hargrove, Mitch Watkins, and Jeff ‘Tain’ Watts.
Performance Set-up
Dennerlein’s performances on the Hammond organ include solo performances as well as quintets (e.g. her “Bebab” band). She has MIDI interfaces and triggers built into the pedals and manuals of her Hammond B-3 organ, which allows her to add synthesizers and samplers to her sound.
I want to share two videos of Barbara with you. One is just a cool live performance on a TV talk show with the house band, the other a hard core jazz performance with some stunning pedalboard work.
First, here’s Barbara on what looks to be a German version of a David Letterman type talk show. She’s playing Swing The Blondes, one of her own compositions. (Check out the gear, especially MIDI’ed up Porta B!)
In this second video, Barbara tears up the hard core Jazz, BIG TIME. Check out her footwork right from the get go. You’ll notice that she has the pedalboard MIDI’ed up to a sample of an upright bass for a more authentic jazz combo sound.
A couple of weeks ago I posted about the Hammond B3’s place in popular music history and why it’s considered so special and powerful.
Today I simply bring you a pretty cool example. Here are four B3 playin’ heavyweights led by Mr. Hip himself, Paul Shafer. The other three are Joey DeFrancesco, Doug Riley, and Dr. Lonnie Smith.
If you didn’t already know, I’m a keyboard player by trade. More specifically, I’m an organ player. It’s my “axe” if you will. I play piano and synths, but organ is what I was formally trained to play beginning at age five. Actually, let me backtrack a little bit…
The town we were living in at the time of my first private music lesson was a very small farming community, Hurricane, Utah. I’m pretty sure there was only one private music teacher, Ms. Birdie Covington, and she lived next door. My Dad traded some house painting for my first few lessons.
However, she was a piano teacher, but we had a Hammond L-100 (think mini B3). So, I took piano lessons at her house and applied them to organ while practicing at home. She tailored my lessons with this mind.
Enough digression. The point is I’m a bonfide organ player, and I love all things B3 and Leslie speakers! So, what’s the big deal? What makes the sound of a Hammond so special?
Here’s a great three-part video from the BBC series Inside Tracks, where they discuss a little bit about the history and application of this fantastic instrument. I think you’ll discover a little something about this enigmatic instrument you didn’t know before. (Thanks to Musformation where I discovered these.)